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posted by [personal profile] kgbooklog at 05:17pm on 17/03/2006 under , ,
Brandon Sanderson, Elantris
Tor (2005) ISBN: 0-765-31177-1
Score: 2.5

Stand alone high fantasy; the worldbuilding is decent but not remarkable, and the magic system doesn't really show up until the end, where it's mainly a plot device. However, the characters are quite good, and most of the book is spent watching them interact. The chapters rotate through 3 POV characters: POV #3 is a high priest who has 3 months to convert this country before his empire's armies arrive to kill the unbelievers. He is mainly opposed by a princess (POV #2) from the other country holding out against the empire. She starts the book learning that, due to a clause in her marriage treaty, she has gone from "betrothed" to "widow" without ever marrying (or even meeting) her husband (POV #1), who starts the book as a zombie.

Next Book: Erin Hunter, Into the Wild
There are 4 comments on this entry. (Reply.)
 
posted by [identity profile] le-trombone.livejournal.com at 09:08pm on 18/03/2006
Blink

I'm trying to wrap my mind around "high fantasy" and the POV list.

Is there an ironic tone to the novel?
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posted by [identity profile] kgbooklog.livejournal.com at 10:23pm on 18/03/2006
What's your definition of High Fantasy? I use it to mean secondary world with common and unambiguous supernatural elements. Others add that the conflict has to involve nations at least, or Good vs Evil (Elantris fits the former, and the latter could be stretched to fit the religious conflict). And there's irony in the not-quite-a-love-triangle between the three POVs.
 
posted by [identity profile] le-trombone.livejournal.com at 12:15am on 19/03/2006
Ah, that might be the point of difference then. For me it's a matter of style, as noted well in Le Guin's essay "From Elfland to Poughkeepsie."

By the way, is the POV3 person supposed to convert the populace from the top (ruling class) down, or is he supposed to use more grass-roots methods?
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posted by [identity profile] kgbooklog.livejournal.com at 05:40pm on 19/03/2006
For me it's a matter of style, as noted well in Le Guin's essay "From Elfland to Poughkeepsie."

I prefer to use more tangible elements when naming the sub-genre. And while I see the benefit of describing the style when reviewing a book, I'm really bad at it, so I don't try. I think I read that essay, or at least part of it.

By the way, is the POV3 person supposed to convert the populace from the top (ruling class) down, or is he supposed to use more grass-roots methods?

He's just told that the armies will arrive in three months to kill the unbelievers; it's his decision to try to limit the bloodshed as much as possible. He uses grass-roots efforts, but mainly to cover up bribing the nobles (it helps having a religion that praises ambition).

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